Wednesday, April 15, 2015
dreams
Are dreams a way to store our feelings in memory, using nonverbal symbols?
It might also be the opposite, that is, you are "storing" a feeling and your brain is building a visual (and in this case, auditory) story around the feeling. That's kind of art in a nutshell, isn't it?
Friday, September 13, 2013
Using NIS/ypbind with Linuxmint 13 (and probably Ubuntu 13)
Saturday, August 17, 2013
Jobs
All right, I'm a bit of a fanboi, but you know, there was no other personal computer that made your room a little prettier, a little more interesting, just by being in it. I don't think it's overstating it to say that Jobs played a major part in making computers into household appliances. I was getting ready to enter the world of law in 1989; instead, because my boss had several Macintoshes around the office, I'm in tech instead. And now, I'm taking an iPad to band rehearsals and plugging my guitar into it, and then plugging a keyboard into it. This movie barely gives us a hint as to the good things that he was responsible for. Why?
Saturday, August 10, 2013
McCartney at Outside Lands
Friday, June 28, 2013
Getting compiz to work on Linuxmint 15
Thursday, June 06, 2013
Analog versus Digital Multi-track Recording
Yes, of course you can hear the difference between digital and analog. The point to digital is that it doesn't sound like anything; it's supposed to sound exactly like what you put into it, no more, no less. (how close it gets to that is a different, complicated question, but I think it is not really debatable that analog might be MORE "accurate" than digital). Whereas, using analog THESE days (when something better is available ;) ) is actually because analog doesn't sound transparent, and doesn't sound like what you put in. It's the equivalent of turning an amplifier up until it distorts at bit. Yeah, you might like the sound, but it's distorted just the same. And once it is distorted, you can't un-distort it.
Also, keep in mind that, unless you are going to listen to your recording on a 90 min cassette or on your old turntable, you are going to be listening to "digital" anyway, or at least a hybrid of analog on backend and digital on the frontend, whether you listen to an mp3, to a CD, or stream a song online.
I contend that it is quite possible, these days, to make a digital recording that sounds "warm" in the way that an analog recording sounds. Hell, you can make them sound "warm" in any way you like! Want the "warmth" of a Neve recording desk and an Otari multi-track? Or maybe you'd prefer SSL and Tascam? There must be plugins for this, but in any case, it can be done.
And digital has so many other advantages:
* digital is much cheaper, in every way
* quick, easy and safe cut and paste of songs.
* non-destructive post-mixing eq and other manipulation
* did I say cheaper? You replace the thousands of dollars in buying and maintaining a recording tape deck and a desk with a few hundred dollars in an analog to digital converter. You also save the space.
* your digital recording may last forever, with proper backups.
* copies of digital sound files are identical to the original. copies of analog masters are yet another generation removed from the pristine quality of the original.
* analog recordings degrade EVERY time you play them. Imagine your turntable needle being pulled through the soft, hot vinyl of a record, or a vinyl tape been pulled over a magenetic tape recorder head, over and over again. Digital recordings are not degraded by playing them.
* analog recordings must generally be played back on the same type of machine that created them. You are out of luck if your tape machine format is no longer manufactured. Whereas digital data is just bits; converting that data to a new format is just a matter of writing a program to do it.
.
Saturday, April 13, 2013
The Next Right Wing Anti-Global Warming Meme
Here's the thing: it's not true. Technologies exist, right now, to pull unwanted CO2 out of the atmosphere and store it where it can't hurt anything. But all such technologies will work much better and do less of their own kinds of damage IF they are not competing with increasing CO2 at the same time. When the time comes, when we are not increasing atmospheric CO2, we WILL be able to clean the current over-enriched CO2 out of the atmosphere.
WE CAN FIX THIS.
AS LONG AS WE DON'T GIVE UP. AS LONG AS WE DON'T ALLOW VESTED ENERGY INTERESTS TO CONTROL THE DEBATE.
Monday, April 08, 2013
If you believe in God, you must believe in a Woman's Right to Choose
Friday, March 29, 2013
Google Earth 7.x on 64-bit Fedora 18
kmod-catalyst-13.1-2.fc18.4.x86_64
xorg-x11-drv-catalyst-13.1-1.fc18.x86_64
The error was:
libGL error: failed to load driver: swrast
libGL error: Try again with LIBGL_DEBUG=verbose for more details.
Info:
1. Despite the fact that I installed the 64-bit version of the Google Earth RPM, it's actually 32-bit and needs 32 bit OpenGL drivers
2. With the proprietary ATi drivers installed, the default libGL.so library (/usr/lib/libGL.so.1) is incompatible with the display, yet this seems to be what GE is trying to use.
3. GE will use anything in it's own directory FIRST, evidently
/opt/google/earth/free
So, I ended up copying /usr/lib/fglrx/fglrx-libGL.so.1.2 to /opt/google/earth/free, and made symlinks to it as libGL..so.1.2, libGL.so.1 and libGL.so in the same directory. Now it works.
I really, really wish that Google would get their shit together with the 64-bit versions of Google Earth. I'm running fast, clean 3D graphics on this workstation every day, and no other programs ever seem to have problems like this. Why in god's name does it have to be so picky about where everything is located, and, well, who runs 32-bit anymore?
Wednesday, February 27, 2013
Bandaids
Saturday, December 01, 2012
Rush Limbaugh's Job
Saturday, November 17, 2012
Benghazi is the anti-Bin Laden
President Obama got Osama Bin Laden. How do you counter that? Why, Obama must be responsible for Americans killed at an embassy in the Middle East! And lied about! It's perfect.
Monday, November 05, 2012
Bio science ... eww.
Still ... ewww.
Tuesday, October 23, 2012
The Romney Campaign (not)
I have to admit I have found Romney's campaign mystifying, but I think I have it sussed: he campaign's exactly like he does business, there's no strategy involved, it's all for short term gain. Just like during his time at Bain Capital, where he changed the business model completely to leveraged buyouts because they paid off faster, so does he pivot to the sensibilities of whoever he's talking to at the time. If he needs conservatives, as in the primaries, he's "severely conservative"; if he needs crossover voters, as in the debates, he's a moderate who sometimes even agrees with the President on policy.
I couldn't wrap my head around the long term game he was running, but that because he wasn't running one. After all, the people he's really working for, the people who finance him and use their influence for him, already know exactly what he is; they found out in boardrooms, or on the golf course. He doesn't need to convince them of anything, and he doesn't bother.
Wednesday, October 17, 2012
The ACA and political "cover"
The ACA is, in fact, a good example of the whole process. No one, not even conservative Republicans, believe that the American health system is in good shape. Even Republicans that believe that our health system is "the best in the world" (it's not) know, if they bother to read the projections, that the system is not sustainable in the long run. Almost no one believes it shouldn't change. So, Obama and the Democrats took a CONSERVATIVE healthcare insurance proposal (Mitt Romney's own, in fact, which was originally a Heritage Foundation counter proposal to the Clinton's health care proposals) which was actually written to make necessary changes while avoiding even a whiff of "socialism", and tried to get bipartisan support for it. The Republicans would have none of it, even though guys like Romney and Bill O'Reilly now say that much of it will need to be re-implemented after it is repealed (evidently the main problem with it is that it is Obama's). So, the Democrats in the Senate passed it, and then the House used that passage to pass it themselves with a bit of budget trickery, and the Democrats and the President took complete responsibility for it, despite the incredible political danger of it, because it HAD to be done. And now, we will cover a much larger group of people, and save a lot of money in the long run, in SPITE of the Republicans, but Obama might lose the election largely because of the ACA (which people hate, until you describe the things it actually does for them, and they find that they like all those things).
Do you see now why Obama (and Reid and Pelosi) didn't just try ram a lot of stuff through when they had the votes? But now we know they should have, because the Republicans put politics above what is good for the country, to an extreme never seen before. about a minute ago · Like
Monday, October 15, 2012
Iran and Us; kiss and make up pt. 1
Iran and the US; kiss and make up, pt. 2
Sunday, September 09, 2012
Why do Conservatives Hate Social Security?
"Social", to them, means Socialism. This is why some of the more disingenuous on the right tend to compare Liberalism with Nazism, simply because the Nazis used the word "Socialist" in their party name. And "Socialism" means "Communism", in their minds. The Republicans are literally still fighting the Cold War. They're like the Japanese soldiers from WWII who were never told about the end of the war and kept fighting decades later. And they believe that everyone except their own leaders are secretly commies themselves, but in reality their leaders are capitalists, and it's in their financial best interests to keep the "war" going, so they never tell their troops to stand down.
This is why the George W. Bush administration was taken by surprise on 9/11; they were still only concerned about the "Rooskis"! Condoleeza Rice was supposed to make a report on the defense of the United States on 9/12. She never got to make it, obviously, but the content of that report has never been released. Those who have seen it, though, tell us that there was nothing about terrorism in it; it was all about Russia as a nuclear power and Star Wars.
But let's be fair to Condi; she wasn't quite as ignorant as all that; she'd hedged her bet. After the Al Queda-coordinated bombings at our embassies in Africa Clinton had decided to destroy Al-Queda. He asked Richard Clarke to come up with the plan for this. The plan was ready to go just before Clinton left office, but rather than hand Bush a war they decided to give the plan to the Bush administration and let them handle it. Rice was impressed with the plan, and with Clarke, and kept him on the new administration and slowly, very slowly, went over the plan and moved it up the ladder towards the President's signature. After 9 months, the plan had finally been approved by the last group before the President would see it; that was on September 4, already far too late to prevent the 9/11 attacks.
Do you remember Condi Rice ever telling us about the Al Queda threat? Neither do I.
Monday, August 27, 2012
The 10th Floor
Thursday, March 22, 2012
Let's Improvise Some Guitar!
The bass player is playing a low G; what shall we play? We could play a D; that would leave the third undefined, and the listeners' minds would fill in the blanks with whatever they feel right now. Or we could play an F; down low or up high it would create a tension, suggest moving to a comfortable C along a bluesy highway.
We could play a B flat, take it minor, make it a little sad. Or a B natural, move it to a positive feeling, if that's called for. Or an A; the tempered A is a little out of tune to the natural A, but it's still clear enough to suggest harmonic movement. Or an A flat, which would create an almost unbearable tension, and suggest an incompetent punk or a masochistic free jazzer.
But let's keep it simple, and also play a G. Reinforce the bass note, up an octave or two. The note becomes more powerful; perhaps we're rocking out a bit. We could play the open G string: the lowest of the unwound strings, it has the most complex audible harmonics, and might suggest a folky flavor. It sounds almost comical compared to the other open strings. Or we could play the G on the fifth fret on the D string: it's wound, and has a very different sound than the open string, darker, blending better. Or even the G on the A string at the 10th fret; towards the middle of the string, it is full of odd harmonics, and emphatically more bassy, taking us towards a jazzy feel. Or we couFOR GODS SAKE SOMEONE HAND ME A COWBELL!